{"id":77647,"date":"2025-08-09T17:33:37","date_gmt":"2025-08-09T14:33:37","guid":{"rendered":"https:\/\/www.sinasiyuksel.com\/blog\/?p=77647"},"modified":"2026-03-03T07:52:39","modified_gmt":"2026-03-03T04:52:39","slug":"konuk-yazarlar-ve-alintilar","status":"publish","type":"post","link":"https:\/\/www.sinasiyuksel.com\/blog\/en\/?p=77647","title":{"rendered":"Konuk Yazarlar ve Al\u0131nt\u0131lar"},"content":{"rendered":"

\n

ANNEL\u0130K\u2014\u2014\u2014\u2014\u2014\u2014-<\/span><\/p>\n

\ud83c\udf39”Annelik kutsal m\u0131?” demi\u015f Aile ve Evlilik Dan\u0131\u015fman\u0131- Yazar Serhat Yabanc\u0131\ud83d\udc95<\/span><\/p>\n

“Bence de\u011fil.. ” diye de devam etmi\u015f..<\/span><\/p>\n

“Annelik bir rold\u00fcr.<\/span><\/p>\n

Ve bir kad\u0131n tek bir rolden ibaret de\u011fildir.<\/span><\/p>\n

Tek role s\u0131k\u0131\u015ft\u0131r\u0131lan bir hayat,<\/span><\/p>\n

Gizli depresyonlar,<\/span><\/p>\n

\u0130fade edilmemi\u015f \u00f6fkeler, aral\u0131kl\u0131 patlayan 30-40 ya\u015f sendromlar\u0131 do\u011furur.<\/span><\/p>\n

Kutsalla\u015ft\u0131rd\u0131k\u00e7a, \u00e7ocuk sahibi bir kad\u0131n\u0131 kendisi olmaktan, kendi ama\u00e7lar\u0131n\u0131 ger\u00e7ekle\u015ftirmekten, varolu\u015fumu ger\u00e7ekle\u015ftirmekten mahrum b\u0131rakm\u0131\u015f oluruz.<\/span><\/p>\n

Annelik, bir tercihli rold\u00fcr.<\/span><\/p>\n

Bu rol\u00fcn de gere\u011fi vard\u0131r.<\/span><\/p>\n

Baz\u0131lar\u0131 dengeli yaparken baz\u0131lar\u0131 da t\u00fcm rollerini ve mutluluk kaynaklar\u0131n\u0131 bir kenara atar ve bu rolle ba\u011f\u0131ml\u0131 bir sistem kurar.<\/span><\/p>\n

Annelik kutsal de\u011fildir.<\/span><\/p>\n

Kutsal olursa, anne olamayanlara ve olmayanlara ne diyece\u011fiz?<\/span><\/p>\n

Annelik, fedakarl\u0131kt\u0131r, sevgidir, de\u011ferdir.<\/span><\/p>\n

Yeri geldi\u011finde kendini ikinci plana atmak ama genelde hep beraber birinci planda olmakt\u0131r.<\/span><\/p>\n

Kutsalla\u015ft\u0131r\u0131lmas\u0131 nedeniyle,<\/span><\/p>\n

Evlendikten sonra “\u00e7ocuklu kad\u0131na yak\u0131\u015f\u0131r m\u0131” bask\u0131s\u0131,<\/span><\/p>\n

Evliliklerin \u00e7ocuk odakl\u0131 olmas\u0131,<\/span><\/p>\n

Bir taraf\u0131n anneli\u011fini e\u015fli\u011fin alternatifi gibi g\u00f6rmesi gibi bir \u00e7ok soruna davetiye \u00e7\u0131kar\u0131r.<\/span><\/p>\n

Kutsalla\u015ft\u0131r\u0131lan annelik ile;<\/span><\/p>\n

Annenin bir hayat\u0131 olamaz<\/span><\/p>\n

Annenin hobisi, e\u011flencesi olamaz.<\/span><\/p>\n

Annenin zevki-keyfi olamaz.<\/span><\/p>\n

Annenin sosyal y\u00f6n\u00fc olamaz. Bir profil yarat\u0131ld\u0131.<\/span><\/p>\n

Bir anne ancak mutlu olursa g\u00fc\u00e7l\u00fc olur. Mutlu olmas\u0131, sadece kendini \u00e7ocuklar\u0131na feda etmesi ile asla sa\u011flanamaz. Kendini feda eden anne, hem kendini hem \u00e7ocuklar\u0131n\u0131 y\u0131prat\u0131r.<\/span><\/p>\n

Annenin mutluluk i\u00e7in;<\/span><\/p>\n

“m\u00fckemmel” olmaktan vazge\u00e7mesi<\/span><\/p>\n

Ba\u015fka anneler ile yar\u0131\u015fmamas\u0131,<\/span><\/p>\n

sadece anne olarak kalmamas\u0131,<\/span><\/p>\n

Di\u011fer rollerini aktive etmesi,<\/span><\/p>\n

\u00dcretken, d\u00fc\u015f\u00fcnen, sorgulayan olmas\u0131,<\/span><\/p>\n

Kendi varl\u0131k amac\u0131n\u0131 da unutmamas\u0131 gerekir.<\/span><\/p>\n

Sevgili anneler;<\/span><\/p>\n

En iyisini de\u011fil, elinizden geleni yap\u0131n.<\/span><\/p>\n

Kendinizi ihmal etmeyin.<\/span><\/p>\n

Tek bir role hapsolmay\u0131n.<\/span><\/p>\n

Birey, e\u015f, \u00e7al\u0131\u015fan, sosyal, arkada\u015f rollerinizi kullan\u0131n.<\/span><\/p>\n

\u00c7ocuksuz kad\u0131nlar;<\/span><\/p>\n

\u00c7ocuk sahibi olmak size cennetin kap\u0131s\u0131n\u0131 a\u00e7t\u0131rmaz.<\/span><\/p>\n

\u00c7ocu\u011funuz olmasa da de\u011ferlisiniz.<\/span><\/p>\n

Anne olmak i\u00e7in yanl\u0131\u015f insanlarla do\u011fru hedeflere ad\u0131m atmay\u0131n.<\/span><\/p>\n

Bu d\u00fcnyadaki tek vasf\u0131n\u0131z annelik de\u011fil…<\/span><\/p>\n

“Asl\u0131nda bu yaz\u0131y\u0131 en \u00e7ok anneleri d\u00fc\u015f\u00fcnerek yaz\u0131yorum. Annelere yap\u0131\u015ft\u0131r\u0131lan “kutsal anne” etiketi ile anneler izole olmakta, anneden s\u00fcrekli fedakarl\u0131k beklenmekte, bunu talep edenler ise kendilerine alan yaratmaktad\u0131rlar.”<\/span><\/p>\n

Bu bahisle annelerin sadece anne oldu\u011funun de\u011fil, kad\u0131n, birey, \u00e7al\u0131\u015fan, patron, e\u015f, sosyal, de\u011fer, EMEK vb gibi bir rol\u00fcn\u00fcn ve ya\u015fam alan\u0131n\u0131n oldu\u011funun kabul edilmesini diliyorum.”<\/span><\/p>\n

Ayn\u0131 <\/span>fikirdeyim..<\/p>\n

ATAT\u00dcRK   \u2014\u2014\u2014\u2014\u2014-<\/p>\n

*Freud diyor ki,Atat\u00fcrk insanl\u0131\u011f\u0131n sanat\u00e7\u0131s\u0131d\u0131r!*<\/span><\/p>\n

Britanya imparatorlu\u011funun varolu\u015f hikayesini irdelerken, Yak\u0131n tarihle ilgili inan\u0131lmaz bir bilgiyle kar\u015f\u0131la\u015ft\u0131m.<\/span><\/p>\n

Bu bilgi \u015fu ana kadar,<\/span><\/p>\n

Neden T\u00fcrkiye\u2019de bilinmez diye de i\u00e7ten i\u00e7e hay\u0131fland\u0131m!…<\/span><\/p>\n

Sonra da bu bilgiyi,<\/span><\/p>\n

15 y\u0131ld\u0131r tan\u0131d\u0131\u011f\u0131m BBC \u00e7al\u0131\u015fan\u0131 arkada\u015f\u0131ma,<\/span><\/p>\n

Kraliyet saray\u0131 tarih direkt\u00f6r\u00fcne teyit ettirdim…<\/span><\/p>\n

***<\/span><\/p>\n

Y\u0131l 1936.<\/span><\/p>\n

\u0130ngiltere Kral\u0131 VIII Edward,<\/span><\/p>\n

T\u00fcrkiye\u2019ye geliyor…<\/span><\/p>\n

ATAT\u00dcRK taraf\u0131ndan a\u011f\u0131rlan\u0131p, u\u011furlan\u0131yor…<\/span><\/p>\n

Kral,<\/span><\/p>\n

Londra\u2019ya d\u00f6n\u00fcnce,<\/span><\/p>\n

Kraliyet saray\u0131nda \u201ctarih\u00e7ilere ve d\u00fc\u015f\u00fcn\u00fcrlere” sekiz saat s\u00fcren bir yemek veriyor…<\/span><\/p>\n

D\u00fc\u015f\u00fcn\u00fcr ve tarih\u00e7iler Kral\u2019a,<\/span><\/p>\n

\u201cBize Mustafa Kemal Atat\u00fcrk\u2019\u00fc” anlat\u0131n diyorlar…<\/span><\/p>\n

Kral anlat\u0131yor,<\/span><\/p>\n

Herkes d\u00fc\u015f\u00fcncelerini s\u0131ral\u0131yor…<\/span><\/p>\n

Son s\u00f6z\u00fc,<\/span><\/p>\n

Freud al\u0131yor…<\/span><\/p>\n

*<\/span><\/p>\n

Sigmund Freud,<\/span><\/p>\n

Psikanaliz biliminin kurucusu d\u00fcnyaca \u00fcnl\u00fc n\u00f6rolog ve psikolog…<\/span><\/p>\n

Freud,<\/span><\/p>\n

A\u015fk\u2019\u0131 tarif ederken \u201cA\u015fk cinselli\u011fi i\u00e7erir \u201c diyen d\u00fc\u015f\u00fcn\u00fcr…<\/span><\/p>\n

Ayn\u0131 Freud,1939 y\u0131l\u0131nda \u00f6lmeden bir y\u0131l \u00f6nce \u201ca\u015fk\u0131n tarifinde yan\u0131ld\u0131\u011f\u0131n\u0131 itiraf” ediyor…<\/span><\/p>\n

Sebeb ise,<\/span><\/p>\n

Bir KARGA !…<\/span><\/p>\n

Hasta yata\u011f\u0131nda yatarken,<\/span><\/p>\n

K\u0131r\u0131k penceresinden gagas\u0131nda bir adet cevizle i\u00e7eri karga giriyor…<\/span><\/p>\n

Cevizi Freud\u2019un ba\u015f ucuna b\u0131rak\u0131p pencerede yar\u0131m saat melul melul Freud\u2019u seyredip u\u00e7uyor…<\/span><\/p>\n

\u0130\u015fte o an Freud,<\/span><\/p>\n

A\u015fk cinsellikten \u00f6te bir duyguymu\u015f diyor…<\/span><\/p>\n

***<\/span><\/p>\n

BURASI \u00c7OK \u00d6NEML\u0130 ?…<\/span><\/p>\n

Freud,<\/span><\/p>\n

Yemekte son s\u00f6zlerini,<\/span><\/p>\n

ATAT\u00dcRK i\u00e7in s\u0131ral\u0131yor?…<\/span><\/p>\n

Hangi dilden,<\/span><\/p>\n

Hangi dinden,<\/span><\/p>\n

Hangi topraktan olursan ol,<\/span><\/p>\n

ATAT\u00dcRK\u2019\u00fc \u201csevmemek\u201d m\u00fcmk\u00fcn m\u00fc ?<\/span><\/p>\n

“A\u015fk,<\/span><\/p>\n

Duygular \u00f6tesi bir sanatsa,<\/span><\/p>\n

ATAT\u00dcRK\u2019te bir insanl\u0131k sanat\u00e7\u0131s\u0131d\u0131r” diyor…<\/span><\/p>\n

Kral,<\/span><\/p>\n

Neden b\u00f6yle kesin ve keskin d\u00fc\u015f\u00fcn\u00fcyorsun diyor ?<\/span><\/p>\n

Freud,<\/span><\/p>\n

ATAT\u00dcRK esir ald\u0131\u011f\u0131 komutanlara insanca davrand\u0131…<\/span><\/p>\n

Esir ald\u0131\u011f\u0131 bayraklar\u0131 \u00e7i\u011fnemedi, \u00e7i\u011fnetmedi…<\/span><\/p>\n

Esir ald\u0131\u011f\u0131 halklara sayg\u0131 duydu…<\/span><\/p>\n

O,<\/span><\/p>\n

Sadece topra\u011f\u0131n\u0131 korudu …<\/span><\/p>\n

\u00dclkesini ve milletini sevdi, onlar i\u00e7in sava\u015ft\u0131…<\/span><\/p>\n

T\u00fcm insanl\u0131\u011fa,<\/span><\/p>\n

Mazlum milletlere \u00f6rnek oldu…<\/span><\/p>\n

Emperyalizme dur dedi…<\/span><\/p>\n

\u00c7a\u011fda\u015f d\u00fczeni kurdu…<\/span><\/p>\n

\u00d6zg\u00fcrl\u00fckleri,<\/span><\/p>\n

\u0130nan\u00e7lar\u0131n serbestli\u011fini,<\/span><\/p>\n

Kad\u0131nlara se\u00e7me se\u00e7ilme hakk\u0131n\u0131,<\/span><\/p>\n

Bilimi,<\/span><\/p>\n

Do\u011fan\u0131n korunmas\u0131n\u0131,<\/span><\/p>\n

Sanat\u0131 \u00f6n plana \u00e7\u0131kard\u0131…<\/span><\/p>\n

Daha ne yapsayd\u0131,<\/span><\/p>\n

Biz evrensel bilim insanlar\u0131na ?…<\/span><\/p>\n

Freud,<\/span><\/p>\n

B\u00f6yle s\u0131ral\u0131yor d\u00fc\u015f\u00fcncelerini…<\/span><\/p>\n

***<\/span><\/p>\n

\u015eimdi gel de,<\/span><\/p>\n

ATAT\u00dcRK\u2019\u00fc sevme?<\/span><\/p>\n

Hangi hakla,<\/span><\/p>\n

Hangi vicdana dayanarak sevmeyeceksin be karde\u015fim?!<\/span><\/p>\n

Hele de,<\/span><\/p>\n

Y\u00fcz y\u0131l geriye y\u00fcz tutmu\u015f bug\u00fcn\u00fcn zihniyetine kar\u015f\u0131 !…<\/span><\/p>\n

T\u00fcrk kan\u0131,<\/span><\/p>\n

M\u00fcsl\u00fcman kan\u0131 ta\u015f\u0131mayan…<\/span><\/p>\n

Ama,<\/span><\/p>\n

\u0130nsanl\u0131k kan\u0131 ta\u015f\u0131yan Freud\u2019a gel de hak verme ?!<\/span><\/p>\n

Tesbit etti\u011fim,<\/span><\/p>\n

Teyit ettirdi\u011fim bu bilgi,<\/span><\/p>\n

Bu yaz\u0131m…<\/span><\/p>\n

Mevcut tarih\u00e7ilerimize,<\/span><\/p>\n

Bilim insanlar\u0131m\u0131za,<\/span><\/p>\n

Siyaset\u00e7ilerimize,<\/span><\/p>\n

Sanat\u00e7\u0131lar\u0131m\u0131za,<\/span><\/p>\n

T\u00fcm halk\u0131m\u0131za…<\/span><\/p>\n

K\u0131saca,<\/span><\/p>\n

ATAT\u00dcRK\u2019\u00fcn ekme\u011fini yiyen herkese KAPAK olsun !….<\/span><\/p>\n

*\u0130smet Orhan*<\/span><\/p>\n

17 Mart 2022.<\/span><\/p>\n

toplumsal.com.tr<\/span><\/p>\n

KIRLANGI\u00c7   \u2014\u2014\u2014\u2014\u2014\u2014-<\/p>\n

KIRLANGI\u00c7 YUVALARI<\/span><\/p>\n

Villakent\u2019e ilk ta\u015f\u0131nd\u0131\u011f\u0131m\u0131z y\u0131llarda bah\u00e7eyle \u00e7ok u\u011fra\u015farak belimi incitmi\u015ftim. Epeyce bir s\u00fcre yatmak zorunda kald\u0131md\u0131. Bu tats\u0131z durumda g\u00fczel bir \u015fey oldu, evimizin balkonunun tavan\u0131na yuva yapm\u0131\u015f k\u0131rlang\u0131\u00e7 ailesinin ya\u015fant\u0131s\u0131n\u0131 izledim. Hatta bir \u00e7ok olay\u0131 videoya alm\u0131\u015ft\u0131m. Ancak sonradan bilgisayar\u0131m\u0131n harddiski \u00e7\u00f6k\u00fcnce, ne yaz\u0131k ki o kay\u0131tlara bir daha ula\u015famad\u0131m.<\/span><\/p>\n

Bu d\u00f6nemde 2 \u015fey \u00f6\u011frendim: K\u0131rlang\u0131\u00e7lar yuvadaki iki yavruyu s\u0131rayla besliyorlar. Bunu videolar\u0131 a\u011f\u0131r \u00e7ekimde izleyerek fark etmi\u015ftim. Asla s\u0131ray\u0131 \u015fa\u015f\u0131rm\u0131yorlar. \u0130kincisi de, o minik yavrular ihtiya\u00e7 duyduklar\u0131nda arkalar\u0131na d\u00f6n\u00fcp yuvan\u0131n d\u0131\u015f\u0131na kaka yap\u0131yorlar. \u0130\u015fte balkonlarda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz kirlilik bundand\u0131r.<\/span><\/p>\n

Son olarak da \u015funu ekliyeyim, ki bu okuma bilgisidir: K\u0131rlang\u0131\u00e7 yavrular\u0131 bazen u\u00e7makta tembellik ederler. \u00c7\u00fcnk\u00fc baharda o kadar \u00e7ok b\u00f6cek ta\u015f\u0131r ki anneleri babalar\u0131, iyice b\u00fcy\u00fcrler ama u\u00e7mazlar. Bu nedenle mecbur kal\u0131nca k\u0131rlang\u0131\u00e7lar yuvalar\u0131n\u0131 k\u0131rarlar. B\u00f6ylece yavrular u\u00e7mak zorunda kal\u0131r.<\/span><\/p>\n

Katk\u0131 yapmak istedim. \u0130yi g\u00fcnler.<\/span><\/p>\n

PHOKA\u0130A.  \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n

PHOKA\u0130A (FO\u00c7A)<\/span><\/p>\n

Phokaia Kenti, ion yerle\u015fmelerininen kuzeyde olan\u0131 ve Aeol B\u00f6lgesi’nde bulunan\u0131 idi. Antik yazarlara g\u00f6re, Atinal\u0131 \u00f6nderlerin idaresinde gelen Phokaial\u0131lar, Kyme halk\u0131 taraf\u0131ndan verilen yerde ilk yerle\u015fmelerini kurmu\u015flard\u0131r. Phokaia’da bu sat\u0131rlar\u0131n yazar\u0131 taraf\u0131ndan y\u00fcr\u00fct\u00fclm\u00fc\u015f olan kaz\u0131larda ele ge\u00e7en \u00e7ok bol say\u0131daki gri seramik, Kymeliler gibi bu ilk yerle\u015fenlerin de Aeoller oldu\u011funu kan\u0131tlam\u0131\u015ft\u0131r. Pausanias’a g\u00f6re (VII, 3, 8), \u0130onial\u0131lar Phokaia’ya sonradan, Teos ile Erythrai’dan gelmi\u015f ve oraya yerle\u015fmi\u015flerdir. Kaz\u0131lar s\u0131ras\u0131nda ele ge\u00e7en Protogeometrik seramik, \u0130onial\u0131lar\u0131n Phokaia’da belki de en az\u0131ndan M.\u00d6. 9. y\u00fczy\u0131l\u0131n sonundan beri ya\u015fad\u0131klar\u0131n\u0131 g\u00f6stermektedir. B\u00f6ylece Phokaia Kenti’nin, b\u00f6lgeye \u0130onial\u0131lar\u0131n yerle\u015fmesinden hemen sonra bu erken tarihte Panionion’a girmi\u015f old\u00fc\u011f\u00fc anla\u015f\u0131lmaktad\u0131r.<\/span><\/p>\n

Phokaial\u0131lar denizcilikte \u00fcnl\u00fc idiler. B\u00fcy\u00fck g\u00f6vdeli y\u00fck gemileri yerine y\u00fcksek h\u0131za eri\u015febilen 50 k\u00fcrek\u00e7ili ve 500 yolcu ta\u015f\u0131yan tekneleri kullan\u0131yorlard\u0131. Fo\u00e7al\u0131 t\u00fcccarlar Mls\u0131r’daki Naukratis ile ion ticaretinin geli\u015fmesine katk\u0131da bulunmu\u015flar ve Milet’le beraber \u00c7anakkale Bo\u011faz\u0131’n\u0131n kuzey giri\u015finde Lampsakos’u (Lapseki) ve Karadeniz’de de Amisos’u (Samsun) kurmu\u015flard\u0131r. Oysa Phokaia asl\u0131nda b\u00fcy\u00fck kolonilerini Bat\u0131 Akdeniz’de kurmu\u015ftur. Bu kentlerin en \u00f6nemlileri G\u00fcney \u0130talya’da Lucania’n\u0131n bat\u0131 k\u0131y\u0131s\u0131ndaki Elea (Velia),Korsikada Alalia, Fransa’da Massalia (Marseilles) ve \u0130spanya’da Emporion(Ampuria)’dur. G\u00fcney Fransa’da Nice (Nicaea-Nizza) ve Antibes (Antipolis)’de Phokaia’n\u0131n kolonisi Marseilles taraf\u0131ndan kurulmu\u015ftu. B\u00f6ylece Phokaia, baz\u0131 Avrupa kentleri i\u00e7in ana kent oldu. G\u00fcney \u0130talya’da Phokaial\u0131lar taraf\u0131ndan kurulan Elea (Velia) kenti, Parmenides ve Zeno gibi d\u00fc\u015f\u00fcn\u00fcrlerle yeni bir felsefe ak\u0131m\u0131 yaratm\u0131\u015f ve bu iki \u00f6nemli d\u00fc\u015f\u00fcn\u00fcr\u00fcn ders verdi\u011fi bir k\u00fclt\u00fcr merkezi olmu\u015ftur.<\/span><\/p>\n

Herodotos’un anlatt\u0131\u011f\u0131na g\u00f6re Phokaia’n\u0131n \u00e7ok g\u00fczel bir kent duvar\u0131 vard\u0131. Ancak bug\u00fcn tamamen kaybolmu\u015ftur. Perslerden korunmak i\u00e7in in\u015fa edilen duvar\u0131, Phokaial\u0131 t\u00fcccarlar\u0131n yak\u0131n bir dostu olan Andalusia’daki Tartessos’un kral\u0131 Argonthonius yapt\u0131rm\u0131\u015ft\u0131r . Bununla beraber M.\u00d6. 546’da Persler Sardes’i ele ge\u00e7irdiler ve k\u0131sa bir s\u00fcre i\u00e7inde, aralar\u0131nda Phokaia da olmak \u00fczere Bat\u0131 Anadolu’daki kentlerin \u00e7o\u011funu tahrip ettiler. Herodotos’a g\u00f6re (1.62) Pers komutan\u0131 Harpagos bu kentleri, kent duvar\u0131n\u0131n \u00f6n\u00fcne y\u0131\u011fd\u0131rd\u0131\u011f\u0131 toprak tepecikler sayesinde ele ge\u00e7irmi\u015ftir. Kent ku\u015fat\u0131l\u0131rken ve Perslerin eline ge\u00e7tikten sonra Phokaial\u0131lar\u0131n \u00e7o\u011fu Akdeniz’deki kolonilerine g\u00f6\u00e7 etmi\u015flerdir. Ancak bunlardan baz\u0131lar\u0131 sonradamgeriye d\u00f6nm\u00fc\u015flerdir. Bununla beraber Phokaia’da M.\u00d6. 6. y\u00fczy\u0131l\u0131n ilk 290 yar\u0131s\u0131nda ya\u015fanan “alt\u0131n \u00e7a\u011f\u201d art\u0131k son bulmu\u015ftur. Bu nedenle Phokaial\u0131lar 494’deki La-<\/span><\/p>\n

de Sava\u015f\u0131’na girmek i\u00e7in ancak \u00fc\u00e7 gemi g\u00f6nderebilmi\u015flerdi. Buna kar\u015f\u0131n, deniz stratejisindeki b\u00fcy\u00fck ustal\u0131klar\u0131ndan \u00f6t\u00fcr\u00fc, b\u00fct\u00fcn Hellen donanmas\u0131n\u0131n komutanl\u0131\u011f\u0131 Phokaial\u0131 Dionysios’a verilmi\u015fti.<\/span><\/p>\n

Rhokaia M.\u00d6.5. y\u00fczy\u0131lda Delos Birli\u011fi’nin bir \u00fcyesi idi ve iki talent vergi veriyordu; ancak 412’de Phokaia ba\u015fkald\u0131rd\u0131 ve birli\u011fi terketti. Hellenistik D\u00f6nem’de Phokaia ilk kez seleukoslar, daha sonra da Attaloslar taraf\u0131ndan y\u00f6netildi. M.\u00d6. 132’de Phokaia her ne kadar Romal\u0131lara kar\u015f\u0131 ba\u015f kald\u0131ran Aristonikos’la birlik oldu ise de, M.\u00d6. 6. y\u00fczy\u0131lda phokaial\u0131lar taraf\u0131ndan kurulan Massalia’n\u0131n yard\u0131m\u0131 ile tahrip edilmekten kurtuldu. Pompeius Phokaia’ya \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc verdi. Kent, Erken H\u0131ristiyanl\u0131k D\u00f6nemi’nde bir piskoposl\u00fck merkezi oldu. M.S. 1275’te burada \u015fap \u00e7\u0131karan Cenevizliler, kenti bir kale ile g\u00fc\u00e7lendidiler ve buray\u0131, i\u015flerini y\u00fcr\u00fctt\u00fckleri bir \u00fcs olarak kulland\u0131lar. Akdes Nimet Kurat, Phokaia’n\u0131n Bat\u0131 Anadolu’da T\u00fcrklerin eline ge\u00e7en ilk k\u0131y\u0131 kentlerinden biri oldu\u011funu belirtmi\u015ftir; bununla birlikte kent ancak 1455 y\u0131l\u0131nda kesinlikle T\u00fcrkler taraf\u0131ndan zaptedilmi\u015ftir. Yar\u0131mada \u00fczerinde lise binas\u0131n\u0131n arkas\u0131ndaki cami Fatih Sultan Mehmed d\u00f6nemine aittir.<\/span><\/p>\n

Phokaial\u0131lar denizci, t\u00fcccar ve kolonist olmalar\u0131n\u0131n yan\u0131 s\u0131ra, piyasada \u00e7ok aranan elektrondan (alt\u0131n ve g\u00fcm\u00fc\u015f ala\u015f\u0131m\u0131) yap\u0131lm\u0131\u015f paralar\u0131 ile de \u00fcnl\u00fc idiler. Ayr\u0131ca Phokaia’n\u0131n mor renkli boyas\u0131 da s\u00f6z\u00fc edilen bir \u00fcr\u00fcn idi. Phokaial\u0131 Telephanes, 5. y\u00fczy\u0131lda Pers krallar\u0131 Darius ile Xerxes’in buyru\u011funda \u00e7al\u0131\u015fm\u0131\u015f \u00fcnl\u00fc bir heykeltra\u015f idi. Vitruvius’a g\u00f6re Phokaial\u0131 Theodoros, Delphi’deki Tholos konusunda (7. paragraf 1 2) bir kitap yazm\u0131\u015ft\u0131r ve bundan \u00f6t\u00fcr\u00fc de belki onu yapan ki\u015fi idi (M.\u00d6. 4. y\u00fczy\u0131l\u0131n ba\u015f\u0131).<\/span><\/p>\n

Tarih boyunca Phokaia’n\u0131n merkezi yar\u0131mada \u00fczerinde idi. Bununla beraber Arkaik D\u00f6nem’den, M.\u00d6. 7. y\u00fczy\u0131l\u0131n sonundan ba\u015flayarak, civar\u0131n\u0131 \u00e7evreleyen k\u0131y\u0131 b\u00f6lgesi de yerle\u015fmeye sahne olmu\u015ftur. K\u00f6rfezdeki k\u00fc\u00e7\u00fck adalar\u0131n fok bal\u0131klar\u0131na benzemesinden dolay\u0131 bu yerle\u015fmeye ilk sakinleri taraf\u0131ndan Phokaia ad\u0131 verilmi\u015ftir.<\/span><\/p>\n

Frans\u0131z arkeo;o\u011fu Felix Sartiaux, Phokaia’da ara\u015ft\u0131rma yapm\u0131\u015f ve 1 913 ile 1920 y\u0131llar\u0131 aras\u0131nda ilk kaz\u0131lar\u0131 y\u00f6netmi\u015ftir. Bu sat\u0131rlar\u0131n yazar\u0131 da 1951-1955 y\u0131llar\u0131 aras\u0131nda yapt\u0131\u011f\u0131 kaz\u0131lar s\u0131ras\u0131nda, y\u00f6renin Arkaik kat\u0131n\u0131 (M.\u00f6. 7. ve 6. y\u00fczy\u0131l yerle\u015fmesini) bulmu\u015f- tur.<\/span><\/p>\n

Fo\u00e7a’da yar\u0131madan\u0131n ucundaki kayal\u0131k d\u00fczl\u00fc\u011f\u00fcn doru\u011funda, bug\u00fcn lise ve o zaman ortaokulun yer ald\u0131\u011f\u0131 alanda, eski zamanlarda bir tap\u0131nak bulunuyordu. Kaz\u0131lar s\u0131ras\u0131nda (1 951-1955 tarihlerinde) ortaokul binas\u0131, yar\u0131da kalm\u0131\u015f \u015fekli ve terkedilmi\u015f in\u015faat durumu ile eski bir tap\u0131nak kal\u0131nt\u0131s\u0131na benziyordu. Ara\u015ft\u0131rmalar\u0131m\u0131z s\u0131ras\u0131nda okulun \u00e7evresindeki a\u00e7malarda \u00e7ok bol say\u0131da Arkaik mimari par\u00e7alar\u0131n bulunmas\u0131 bu d\u00fc\u015f\u00fcnceyi do\u011frulad\u0131. B\u00f6ylece bulunan kaide, s\u00fctun ve ba\u015fl\u0131k par\u00e7alar\u0131 ile di\u011fer \u00fcst yap\u0131 kal\u0131nt\u0131lar\u0131n\u0131n, Xenophon (Hellenica 1 3, 1 ) ve Pausanias (II 31 , 6; VII 5, 4) taraf\u0131ndan belirtilmi\u015f olan Athena Tap\u0131na\u011f\u0131’na ait olduklar\u0131 saptanm\u0131\u015f bulunmaktad\u0131r. S\u00f6z\u00fc ge\u00e7en alan\u0131n, yar\u0131madan\u0131n en g\u00fczel ve en \u00f6nemli b\u00f6lgesinde bulunmas\u0131 Bat\u0131 Anadolu’daki bir\u00e7ok Hellen yerle\u015fmesinde oldu\u011fu gibi Phokaia’da da Athena’ya ba\u015f tanr\u0131 olarak tap\u0131n\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6stermektedir. G\u00fczel beyaz tufa ta\u015fndan (Fo\u00e7a ta\u015f\u0131ndan) yap\u0131lm\u0131\u015f olan tap\u0131nak M.\u00f6. 6. y\u00fczy\u0131l\u0131n ikinci d\u00f6rtl\u00fc\u011f\u00fcnde in\u015fa edilmi\u015ftir ve Persler taraf\u0131ndan tahrip g\u00f6rmesinden sonra ayn\u0131 y\u00fczy\u0131l\u0131n sonuna do\u011fru restore edilmi\u015ftir. Bulunan mimarl\u0131k par\u00e7alar\u0131 \u0130zmir M\u00fczesi’nde k0runmaktad\u0131r. Ancak palmet yapraklar\u0131 ile s\u00fcslenmi\u015f ve belki de tap\u0131na\u011fa ait olan b\u00fcY\u00fck bir ba\u015fl\u0131k, ayr\u0131ca bir\u00e7ok s\u00fctun ve kaide par\u00e7alar\u0131 bug\u00fcn okulun bah\u00e7esinde durmaktad\u0131r. Tek-renk \u00e7anak \u00e7\u00f6mlek ile Protogeometrik ve Geometrik seramik, 6. y\u00fczy\u0131l\u0131n siyah-fig\u00fcrl\u00fc Hellen vazo \u00f6rnekleri ile beraber yar\u0131mada \u00fczerinde yap\u0131lan sondajlarda bulunmu\u015f olup, bunlar da \u0130zmir M\u00fczesi’nde sergilenmektedir.<\/span><\/p>\n

Fo\u00e7a’n\u0131n 7 km. do\u011fusunda, asfalt yolun kuzeyinde y\u00fckselen kaya an\u0131t\u0131, \u00f6zel olarak belirtilmeye de\u011ferdir (\u015eek. 303).4, 5 metre y\u00fckseklikteki bu yap\u0131t, yerli Anadolu gelene\u011fi ile ili\u015fkilidir. An\u0131t bir yap\u0131 olarak in\u015fa edilmemi\u015f, tersine Lykia, Lydia ve Frygia’daki mezar an\u0131tlar\u0131 gibi kayadan oyulmu\u015ftur. Cephedeki giri\u015fin \u00f6rne\u011fine de hemen civardaki Lydia 291<\/span><\/p>\n

dikilmi\u015f eserlerinde olan rastlan\u0131r. mezara \u00e7ok \u00d6te benzemektedir. yandan an\u0131t, \u0130ran’da Hellen Pasargade’de demokratik anlay\u0131\u015f\u0131na Kral Kyros yabanc\u0131, i\u00e7in (M\u00d6. “kralla.530) ra \u00f6zg\u00fc\u201d ve \u0130ran etkisi g\u00f6steren b\u00f6yle bir an\u0131t M.\u00d6. 5. ve 4. y\u00fczy\u0131llarda Anadolu’da ege. men olan Pers idaresi zaman\u0131nda yap\u0131lm\u0131\u015f olmal\u0131d\u0131r. Nitekim yak\u0131ndaki Larisa (Burun _ cuk) kentinde 6. y\u00fczy\u0131ldan beri \u0130ran B\u00fcy\u00fck Krall\u0131\u011f\u0131 kontrol\u00fcnde tiranlar h\u00fck\u00fcm S\u00dcr\u00dcyordu. Bu nedenle s\u00f6z konusu Fo\u00e7a an\u0131t\u0131, M.\u00d6. 5. ya da 4. y\u00fczy\u0131lda \u00e7evredeki k\u00fc\u00e7\u00fck bir b\u00f6lgeyi y\u00f6neten bir tirana ait olsa gerektir.<\/span><\/p>\n

Fo\u00e7a’da bulunan ve “\u015eeytan Hamam\u0131\u201d olarak adland\u0131r\u0131lan mezar da kayaya oyulmu\u015ftur ve baz\u0131 Lydia mezarlar\u0131na benzemektedir. Ara\u015ft\u0131rmalar\u0131m\u0131z s\u0131ras\u0131nda bu mezarda bulunan Hellen serami\u011fi, onun 4. y\u00fczy\u0131l\u0131n sonunda in\u015fa edilmi\u015f oldu\u011funu kan\u0131tlamaktad\u0131r. Bu tarih yukar\u0131da ad\u0131 ge\u00e7en ve \u0130ran etkisi g\u00f6steren mezar i\u00e7in \u00f6ne s\u00fcrd\u00fc\u011f\u00fcm\u00fcz tarihlemeyi desteklemektedir. 1 952-1 956 aras\u0131nda Ekrem Akurgal’\u0131n yapt\u0131\u011f\u0131 kaz\u0131lar 1990’dan beri \u00d6mer \u00d6zyi\u011fit taraf\u0131ndan s\u00fcrd\u00fcr\u00fclmektedir.<\/span><\/p>\n

\u015fek. 303 – Fo\u00e7a (Phokaia) yak\u0131n\u0131ndaki Kaya Mezar\u0131, Pers etkisinde olup Lykia ve Lydia gelene\u011finde in\u015fa edilmi\u015ftir. M. \u00d6. 4. y\u00fczy\u0131l.<\/span><\/p>\n

\u0130ZM\u0130R<\/span><\/p>\n

T\u00fcrkiye’nin bug\u00fcn en b\u00fcy\u00fck ve en \u00f6nemli \u00fc\u00e7 kentinden biri olan \u0130zmir, Eski \u00e7a\u011flar\u0131n da en \u00f6nde gelen ticaret, sanat ve k\u00fclt\u00fcr merkezlerinden biri idi. \u0130zmir tarihi ba\u015fl\u0131ca \u00fc\u00e7 b\u00fcy\u00fck d\u00f6nem g\u00f6sterir. I ) Eski \u0130zmir (M.\u00d6. 3000-300).2) Hellenistik, Roma ve Bizans D\u00f6nemi (M.\u00f6. 300-M.S. 1071 3) Sel\u00e7uklu ve Osmanl\u0131 D\u00f6nemieri (M.s. 1071-1923).<\/span><\/p>\n

AYNISEFA.  \u2014\u2014\u2014\u2014\u2014-<\/p>\n

ALTAPHARMA AYNISEFA \u00c7\u0130\u00c7E\u011e\u0130 \u00d6ZL\u00dc<\/span><\/p>\n

YO\u011eUN BAKIM KREM\u0130 250m\u0131<\/span><\/p>\n

Ayn\u0131sefa \u00e7i\u00e7e\u011fi \u00f6zleri ile cildiniz i\u00e7in ideal bak\u0131m sa\u011flar. De\u011ferli A ve E vitamini i\u00e7erir. P\u00fcr\u00fczl\u00fc ve kurumu\u015f cildi tekrar rahatlat\u0131r ve yumu\u015fakl\u0131\u011f\u0131na kavu\u015fturur. Ayr\u0131ca dudaklar\u0131n kurumas\u0131n\u0131 ve \u00e7atlamas\u0131n\u0131 \u00f6nle. \u00d6zellikle k\u0131\u015f\u0131n cildin so\u011fuktan korunmas\u0131n\u0131 sa\u011flar. Herhangi bir koruyucu katk\u0131 maddesi i\u00e7ermez.<\/span><\/p>\n

Dermatolojik olarak test edilmi\u015ftir EAN 4305615619682 Nem kayb\u0131na kar\u015f\u0131 E vitamini ile koruma sa\u011flar. Ka\u015f\u0131nt\u0131y\u0131 halifletmeye yard\u0131mc\u0131 provitam\u0131n B5 (panthenol) i\u00e7erir. Kullan\u0131m \u015eekli: G\u00fcn i\u00e7inde birka\u00e7 kez istenilen b\u00f6lgeye ince bir tabaka \u015feklinde uygulan\u0131r ve cilde nazik\u00e7e yedirilir.<\/span><\/p>\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>\n

kullan\u0131m \u2022mb018j A\u00e7\u0131ld\u0131ktan sonra 12 ay i\u00e7ecis\u0131nd6<\/span><\/p>\n

ALMANYA:11haiat\u00e7j Fitma Rossmann Ma\u011fazac\u0131lbk<\/span><\/p>\n

N cad Apt, NO. 8116 Kad\u0131k6y.lST.\/<\/span><\/p>\n

Rossmsc\u015f4N CmbH ALMANYA) \u015f\u0131\u0131k6tijid68i ithaldir,<\/span><\/p>\n

PATLICAN S\u0130LKME   \u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/span><\/p>\n

6-8 K\u0130\u015e\u0130L\u0130K<\/span><\/p>\n

1 kg patl\u0131can (veya kabak)<\/span><\/p>\n

5-6 adet k\u00fc\u00e7\u00fck patates<\/span><\/p>\n

3 adet so\u011fan (yakla\u015f\u0131k 300 gr)<\/span><\/p>\n

4 adet domates (500 gr)<\/span><\/p>\n

6-7 di\u015f sarm\u0131sak<\/span><\/p>\n

1 \u00e7ay barda\u011f\u0131 zeytinya\u011f\u0131<\/span><\/p>\n

1 su barda\u011f\u0131 s\u0131cak su<\/span><\/p>\n

Tuz<\/span><\/p>\n

1- Patl\u0131canlar\u0131 sap k\u0131s\u0131mlar\u0131n\u0131 ve u\u00e7lar\u0131n\u0131 kesip kabuklar\u0131n\u0131 1’er cm’lik \u015feritler halinde alacal\u0131 soyun. Uzunlamas\u0131na \u00f6nce ikiye sonra d\u00f6rde b\u00f6l\u00fcn. Ard\u0131ndan 4-5 cm’lik par\u00e7alar halinde do\u011fray\u0131n. Ac\u0131s\u0131n\u0131 almak i\u00e7in tuzlu suda 10 dakika beklettikten sonra patl\u0131canlar\u0131 elinizle s\u0131karak s\u00fcz\u00fcn.<\/span><\/p>\n

2- So\u011fanlar\u0131 ay\u0131klay\u0131p y\u0131kad\u0131ktan sonra yar\u0131m ay \u015feklinde ince do\u011fray\u0131n. Domatesleri soyup k\u00fcp \u015feklinde do\u011fray\u0131n. K\u00fc\u00e7\u00fck patatesleri soyup b\u00fcy\u00fckl\u00fcklerine g\u00f6re ikiye veya d\u00f6rde kesin. Alt\u0131-yedi di\u015f sarm\u0131sa\u011f\u0131 soyun.<\/span><\/p>\n

3- Patl\u0131canlar\u0131, patatesleri, b\u00fct\u00fcn haldeki sarm\u0131saklar\u0131 ve do\u011franm\u0131\u015f so\u011fan\u0131 yayvan bir tencereye al\u0131n. Zeytinya\u011f\u0131n\u0131 ve tuzu ilave ettikten sonra do\u011franm\u0131\u015f domatesi \u00fczerlerine yay\u0131n. Patl\u0131can iyice suyunu \u00e7ekene kadar orta ate\u015fte pi\u015firin. \u00dczerine 1 su barda\u011f\u0131 s\u0131cak su ekleyin ve k\u0131s\u0131k ate\u015fte (2-3 dakikada bir silkeleme, yani tencereyi sallama i\u015flemine devam ederek) yakla\u015f\u0131k 25-30 dakika pi\u015firin. Silkmeyi so\u011fuduktan sonra bir miktar tulum peyniriyle birlikte servis yap\u0131n.<\/span><\/p>\n

S\u0130LKME ADI NEREDEN GEL\u0130YOR?<\/span><\/p>\n

Hepsi \u00e7i\u011fden konulan malzemeler birlikte pi\u015ferken kar\u0131\u015ft\u0131rma i\u015fini ka\u015f\u0131k ya da kep\u00e7eyle yaparsan\u0131z sebzeler par\u00e7alanabilir. Bu y\u00fczden pi\u015fme s\u00fcresince 2-3 dakikada bir tencereyi hafif\u00e7e silkeleyerek i\u00e7indekilerin olabildi\u011fince alt\u00fcst olup kar\u0131\u015fmas\u0131n\u0131 sa\u011flay\u0131n.<\/span><\/p>\n

‘Bu yemeklere verilen \u201csilkme” ad\u0131 bu kar\u0131\u015ft\u0131rma tarz\u0131ndan gelir. E\u011fer kabak silkme pi\u015firecekseniz, k\u00f6rpe Girit kabaklar\u0131n\u0131n \u00fcst ve alt u\u00e7lar\u0131n\u0131 kesip at\u0131n.<\/span><\/p>\n

AYI\u015eI\u011eI SONATI  <\/span>– BEETHOVEN   \u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/span><\/p>\n

Do diyez min\u00f6r Piyano Sonat\u0131 No. 14<\/span><\/p>\n

Ay\u0131\u015f\u0131\u011f\u0131<\/span><\/p>\n

Takma ismine bakmay\u0131n, bu eser Beethoven’\u0131n kafas\u0131nda asla Ay\u0131\u015f\u0131\u011f Sonat\u0131 olmad\u0131. Bestecinin olduk\u00e7a memnun oldu\u011fu isim daha s\u0131k\u0131c\u0131 olan On D\u00f6rd\u00fcnc\u00fc Piyano Sonat\u0131 ismiydi. Ancak Alman ele\u015ftirmen Ludwig Rellstab, sonat\u0131n \u00fcnl\u00fc a\u00e7\u0131l\u0131\u015f b\u00f6l\u00fcm\u00fcn\u00fc ay\u0131\u015f\u0131\u011f\u0131n\u0131n Luzern G\u00f6l\u00fc boyunca titre\u015fmesine benzetince, eserin bestecisinden bile daha \u00e7ok ya\u015fayacak bu tasviri yaratm\u0131\u015f oldu.<\/span><\/p>\n

Beethoven bir\u00e7ok bak\u0131mdan devrimciydi. Gelene\u011fi itelemekten ve klasik m\u00fczi\u011fin Romantik d\u00f6nemini sevin\u00e7le kar\u015f\u0131lamaktan, zaman\u0131n\u0131n di\u011fer t\u00fcm bestecilerinden daha fazla sorumluydu. Bu eseri, mevcut durumu devam ettirmeyi reddetti\u011finin ba\u015fl\u0131ca kan\u0131t\u0131d\u0131r: O d\u00f6nem bir sonattan duyulmas\u0131 gerekti\u011fine inan\u0131lan geleneksel h\u0131zl\u0131-yava\u015f-h\u0131zl\u0131 kal\u0131b\u0131 Beethoven’a g\u00f6re de\u011fildi. Bunun yerine besteci, o zamana g\u00f6re olduk\u00e7a hayret verici bir bi\u00e7imde, yava\u015f, hipnotize edici arpejler dizisiyle (arpej, bir akorun notalar\u0131n\u0131n ayn\u0131 anda \u00e7al\u0131nmas\u0131 yerine tek tek ayr\u0131l\u0131p birbiri ard\u0131na \u00e7al\u0131nmas\u0131d\u0131r) a\u00e7\u0131l\u0131\u015f yapmay\u0131 se\u00e7mi\u015ftir. F\u0131rt\u0131na ve drama kesinlikle gelecektir, ancak gelmeleri ikinci b\u00f6l\u00fcm\u00fc bulacakt\u0131r- zaman\u0131n dinleyicilerinin sakin ve d\u00fc\u015f\u00fcnceli olmas\u0131n\u0131 bekledikleri bir b\u00f6l\u00fcmde yani. Bu da Beethoven’\u0131n tahmin edilebilir olan\u0131 tersine \u00e7evirip tamamen yeni m\u00fczik formlar\u0131 yaratmas\u0131n\u0131n yollar\u0131ndan yaln\u0131zca biridir.<\/span><\/p>\n

Ay\u0131\u015f\u0131\u011f\u0131 (yahut Beethoven’\u0131n tercih etti\u011fi altba\u015fl\u0131kla “Bir Fantezi Tarz\u0131nda Yaz\u0131lm\u0131\u015f Sonat\u201d) bestecinin en \u00fcnl\u00fc ve en \u00e7ok sevilen solo piyano eseri olmay\u0131 bug\u00fcn de s\u00fcrd\u00fcrmektedir.<\/span><\/p>\n

SEBZEL\u0130 TAVUK \u00c7ORBASI   \u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>\n

200 gr tavuk g\u00f6\u011fs\u00fc<\/span><\/p>\n

1\/2 \u00e7ay barda\u011f\u0131 k\u0131rm\u0131z\u0131 mercimek<\/span><\/p>\n

1 orta boy so\u011fan<\/span><\/p>\n

1 dal p\u0131rasa<\/span><\/p>\n

1 k\u00fc\u00e7\u00fck boy kereviz<\/span><\/p>\n

2 adet k\u0131rm\u0131z\u0131biber<\/span><\/p>\n

2 avu\u00e7 \u0131spanak<\/span><\/p>\n

1 tatl\u0131 ka\u015f\u0131\u011f\u0131 tuz, zerde\u00e7al, karabiber, k\u0131rm\u0131z\u0131biber<\/span><\/p>\n

HAZIRLANI\u015eI:Tavukg\u00f6\u011fs\u00fcn\u00fc ku\u015fba\u015f\u0131 do\u011fray\u0131p tencerede hafif\u00e7e \u00e7evirin. \u00dczerine k\u00fcp k\u00fcp do\u011frad\u0131\u011f\u0131n\u0131z so\u011fan\u0131 koyup \u00e7ok hafif kavurun. Ispanak haricindeki sebzeleri k\u00fc\u00e7\u00fck k\u00fcpler halinde do\u011fray\u0131n ve mercimekle beraber tencereye at\u0131n. \u00dczerine 5-6 bardak su ilave edin. Kaynamaya ba\u015flar ba\u015flamaz ince ince do\u011frad\u0131\u011f\u0131n\u0131z \u0131spanaklan ilave edin. Tuz ve di\u011fer baharatlar\u0131 da ekleyerek 6-7 dakika daha pi\u015firin.<\/span><\/p>\n

ERKAN Ay\u015fen   \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>\n

D\u00fcnyaya bir 14 Temmuz g\u00fcn\u00fc g\u00f6zlerini a\u00e7t\u0131 Ay-<\/span><\/p>\n

\u015fen.<\/span><\/p>\n

Mevsim Temmuz, tarih 1947, kent \u0130stanbul. Hemen o yumuk yumuk ellerini att\u0131, onu d\u00fcnyaya getiren ebenin ceplerine. F\u0131nd\u0131k – f\u0131st\u0131k – leblebi dolu avu\u00e7lar\u0131n\u0131 a\u00e7man\u0131n imkan\u0131 yok. \u0130\u015fte onun \u00e7erez d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc b\u00f6yle ba\u015flad\u0131, b\u00f6ylesine devam etti. <\/span><\/p>\n

\u0130zmir K\u0131z Kolejinde ge\u00e7irdi\u011fi tatl\u0131 ac\u0131 an\u0131lar\u0131n\u0131 kendine has g\u00fcl\u00fc\u015f\u00fcyle hep anlatan Ay\u015fen, pop\u00fcler m\u00fczi\u011fe ve en son danslara olan a\u015f\u0131r\u0131 tutkusu ile de tan\u0131n\u0131r aram\u0131zda Ay\u015fen.<\/span><\/p>\n

\u00abBana meyve verin, yemekler sizin olsun\u00bb diyen bu iyi y\u00fcrekli arkada\u015f\u0131m\u0131z\u0131n manav d\u00fckk\u00e2nlar\u0131 \u00f6n\u00fcnden ge\u00e7erken bak\u0131\u015flar\u0131 \u00e7ok manidard\u0131r.<\/span><\/p>\n

Sa\u00e7lar\u0131ndan ve derslerine istedi\u011fi kadar \u00e7al\u0131\u015famad\u0131\u011f\u0131ndan da \u015fik\u00e2yeti olmasa ba\u015fkaca hi\u00e7bir s\u0131k\u0131nt\u0131s\u0131 olmayacak Ay\u015fen’in.<\/span><\/p>\n

Sevgili arkada\u015f\u0131m\u0131za bir \u00f6m\u00fcr boyu mutluluklar dileriz;<\/span><\/p>\n

I. Sizi en \u00e7ok etkileyen s\u00f6z ve m\u0131sra?<\/span><\/p>\n

Ya\u015famak tek bir a\u011fa\u00e7 gibi tek ve bir orman gibi karde\u015f\u00e7esine<\/span><\/p>\n

Bu hasret bizim<\/span><\/p>\n

2. Para sizce nedir?<\/span><\/p>\n

Fakirli\u011fi zenginli\u011fe ikame eden m\u00fcbadele arac\u0131d\u0131r.<\/span><\/p>\n

3. Sa\u011f m\u0131, sol mu ni\u00e7in?<\/span><\/p>\n

Annemin ikazlar\u0131 ve babam\u0131n ho\u015fg\u00f6r\u00fcl\u00fc\u011f\u00fc sayesinde hem sa\u011f, hem sol(solak\u0131m da) <\/span><\/p>\n

4. Hi\u00e7 kullanmad\u0131\u011f\u0131n\u0131z<\/span><\/p>\n

K\u0131rm\u0131z\u0131 giysiler.<\/span><\/p>\n

5.Maksi mi mini mi?<\/span><\/p>\n

Her ikisi de mideden ho\u015flanmad\u0131\u011f\u0131m i\u00e7in.<\/span><\/p>\n

6. S\u0131k\u0131\u015f\u0131nca ne yapars\u0131n\u0131z?<\/span><\/p>\n

Dua ederim. <\/span><\/p>\n

7. Hangi arkada\u015f\u0131n\u0131za hayatta en \u00e7ok neyi dilersiniz?<\/span><\/p>\n

Elene m\u00fc\u015fk\u00fclpesentlikten kurtulmas\u0131n\u0131.<\/span><\/p>\n

 <\/span><\/p>\n

Devaml\u0131 Adresi<\/span><\/p>\n

Kurt Mhl. Kubilay Cd. No. 5 Bay\u0131nd\u0131r – \u0130zmir<\/span><\/p>\n

GER\u0130 KALMI\u015e \u00dcLKELER\u0130N 8 \u00d6ZELLi\u011e\u0131   \u2014\u2014\u2014<\/span><\/p>\n

1. Kitap okuma oram %5’i ge\u00e7mez.<\/span><\/p>\n

2. Toplumda d\u00fc\u015f\u00fcnme ve sorgulama yoktur.<\/span><\/p>\n

3. Bilim ve sanatla ilgili haberler g\u00f6remezsiniz.<\/span><\/p>\n

4. Dini ve milli duygular suistimal edilir.<\/span><\/p>\n

5. Y\u00f6neticiler zenginle\u015ftik\u00e7e halk fakirle\u015fir.<\/span><\/p>\n

6. Okullarda verilen e\u011fitim semboliktir.<\/span><\/p>\n

7. S\u00fcrekli magazin konu\u015fulur.<\/span><\/p>\n

8. Aptal insanlann kolayca \u00fcnl\u00fc oldu\u011funu g\u00f6r\u00fcrs\u00fcn\u00fcz.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

ANNEL\u0130K\u2014\u2014\u2014\u2014\u2014\u2014- \ud83c\udf39”Annelik kutsal m\u0131?” demi\u015f Aile ve Evlilik Dan\u0131\u015fman\u0131- Yazar Serhat Yabanc\u0131\ud83d\udc95 “Bence de\u011fil.. ” diye de devam etmi\u015f.. “Annelik bir rold\u00fcr. Ve bir kad\u0131n tek bir rolden ibaret de\u011fildir. Tek role s\u0131k\u0131\u015ft\u0131r\u0131lan bir hayat, Gizli depresyonlar, \u0130fade edilmemi\u015f \u00f6fkeler, aral\u0131kl\u0131 patlayan 30-40 ya\u015f sendromlar\u0131 do\u011furur. Kutsalla\u015ft\u0131rd\u0131k\u00e7a, \u00e7ocuk sahibi bir kad\u0131n\u0131 kendisi olmaktan, kendi ama\u00e7lar\u0131n\u0131 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[410,555],"class_list":["post-77647","post","type-post","status-publish","format-standard","hentry","category-genel","tag-ataturk","tag-phokaia"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["tr","en"],"languages":{"tr":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/posts\/77647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=77647"}],"version-history":[{"count":10,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/posts\/77647\/revisions"}],"predecessor-version":[{"id":79470,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=\/wp\/v2\/posts\/77647\/revisions\/79470"}],"wp:attachment":[{"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=77647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sinasiyuksel.com\/blog\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=77647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}